Alas, not enough to be dazzled by the boring, bogus naivet of Tubelight, Sukanya Verma.
Soni is a soft treatment of a very complex subject, feels Sreehari Nair.
'Manmarziyaan is a meaty slice of Tinder-day relationships where love is a libidinous explosion that is unafraid of consequences and flies in the face of discretion,' says Sukanya Verma.
'The ultimate satisfaction of helping in the country's space programme is the bigger achievement attracting women to space research -- and they are so good at it!'
Rock On 2 does more for Meghalaya tourism than it does for rock music, feels Sukanya Verma.
Move over Batman and superman.
From one of Kashmir's worst trouble spots, Adeeba Tak emerges as a story of hope.
Nobody does ethnic chic as well as D-Pad!
Rituparna Chakraborty, co-founder and EVP, TeamLease Services explains which sectors will contribute to India's growth story.
Donald Trump's new CIA pick hasn't been greeted with the avalanche of media gush that inevitably follows a woman who becomes the first among her gender to get a top job.
'There are 15 songs in Manmarziyaan.' 'For the first time in the history of Anurag Kashyap, there are two dancing numbers.' 'Luckily, people are not taking this as a serious Anurag Kashyap cliched film.'
Sharmila Nair's campaign '18 Shades of Black' is inspiring Indian women to talk about the restrictions they faced while growing up and encouraging people to find solutions.
'I am the undiscovered Julia Roberts of India. They haven't figured it out yet.' Kalki Koechlin gets talking.
Payal Taori, Mumbai University's MA topper this year, shares her journey.
The movie evokes a few laughs but otherwise it decides to shift tracks from droll comedy to dreadful drama.
'Mumbai is very different from the rest of India. It can be ruthless if you don't have work or friends. The struggle time and times of disappointment are horrific and can break you.'
Playboy founder Hugh Hefner, who passed into the ages on September 28, once hosted starlet Sherlyn Chopra at the Playboy Mansion. Sherlyn shares the experience.
'The film industry could never exploit his versatile range as actively as it should have. To not have delivered a *single* bad performance in one's career is an exceptional feat.' Sukanya Verma retraces her steps to the time she became a dedicated fan of Farooque Sheikh's work for life.
In a premise begging for food porn, there's a shocking scarcity of sensory pleasure or vision. You'll see more gastronomic delights in the two-minute trailer of the original Chef than in this entire movie, feels Sukanya Verma.
Under Rajkumar Hirani's light touch and unwavering optimism, the darkness of Sanjay Dutt's life acquires the spirit of a sportsman, grit of a soldier, humour of a rascal and regrets of a son, notes Sukanya Verma.
It takes concrete storytelling not style to camouflage John Abraham's limitations. He bears the physicality of a man who could take on a dozen but his blank, pained surface cannot offer threat or evoke sympathy, writes Sukanya Verma.
A cinematic experience like this one doesn't come by too often, raves Kshamaya Daniel.
'People don't like me wearing saris. But I am an Indian drag queen. I will wear a sari.'
'The Muslim identity of the family appears incidental to the subject of the film...' 'The self-sacrificing, suffering mother film could have belonged to any religion.' 'The abusive father, who prefers his son to his daughter, could have followed any religion.' 'That the Muslim household is remarkably free from religious symbolism is also the strength of the film,' feels Mohammad Asim Siddiqui.
Dhruv Munjal gets up close and personal with Chandro and Prakashi Tomar, the inspiration for Saand Ki Aankh.
Victoria Azarenka cannot wait to renew her rivalry with close friend Serena Williams in what could shape up to become a future battle of the tennis mums.
As captain of the women's cricket team in Baramulla's Government Women's College, Insha is one of the young women setting trends in this suburban town in north Kashmir and in the Valley.
'Embedded with the divisive regime, they administer heavy doses of the opium of religion and nationalism day in and day out,' observes Mohammad Sajjad.
'It's nice that so many different visionaries can imagine me in their stories.' 'I feel proud of that.' 'Ultimately, only a director can add value to your career.'
'Article 15 is not the work of a hack, or of someone merely scooping a plot out of newspaper headlines.' 'It is a well-researched, clear-headed movie; but its findings have a purpose,' says Sreehari Nair.
'It is our fault that we are not superstars. We should be superstars if we can help it,' Tisca Chopra tells Sonil Dedhia/ Rediff.com
Watch it for a slightly different feel and cast.
It's unfair to over-emphasise Urjit Patel's shy and reticent image.
Bajatey Raho had a whole lot of potential but failed to realise it, writes Paloma Sharma.
Bajaatey Raho had a whole lot of potential but failed to realise it, writes Paloma Sharma.
'I am an A-lister of television. I didn't want to do any Bollywood movies just for the sake of it. There are audiences for Naagins and the supernatural kind of shows but for me, Beyhadh is a real show. I would watch it.' Kushal Tandon gets candid.
The real achievement of the film, which is now available worldwide on Netflix, is that it resists the temptations of the genre.
Pyaar Ka Punchnama 2 contains some genuine belly laughs, and would have been perfect were it not for its feature-length running time, writes Raja Sen.
Over two dozen Muslims have been elected to the Lok Sabha. This shows that all is not lost for India's Muslims, suggests Mohammad Sajjad.
'I have been told that legends like Mammootty, Aamir Khan and even Shahid Kapoor were being considered for the National Award. I'm thrilled to have won it.' Sanchari Vijay talks about his National Award-winning movies.
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